"Often working on the studio floor, using liquid paints to surround, unify and pool around areas of information, Musgrave succeeds in defying a traditional concept of perspective. Her compositions unfold almost three-dimensionally, enveloping the viewer with information from above, straight on and below."
~Stephanie Buhmann, "New Brunswick Studio Conversations," Billie Magazine V.2, Spring 2017
“Water is the starting point for each of Musgrave’s works. With a blank canvas placed on the floor of her studio, she selects objects of significance: of sentimental, aesthetic, or symbolic meaning, to place on top of the canvas. She sprinkles, sprays, or pours water over the object to capture an impression of the form in pigment. The impression made by the water is like a memory of the object on the canvas.
Using water in the process is as important to Deanna as her subject matter. Her world view is closely tied to the power of water and its relationship to experience and memory. Deanna’s work considers and articulates the theories of homeopathy: the ability of water to remember substances once mixed in it; cymatics: the patterns formed when a substance like water or sand is vibrated; and akashic field theory: the theory that information can exist and be transmitted through energy fields.
The result is a highly dynamic and fluid expression of memory, story, and a deep connection to water. Outside of her art, Deanna studies and practices dowsing: practiced since the 15th century to locate underground water systems. More recently dowsing has been adapted to locate areas of stress or trauma on the human body as a means of healing.
All aspects of Deanna’s connection to water speak to a single idea: that information, knowledge, and experience can exist and be transmitted in many different ways. She believes that revolution can be ignited from person to person and that can happen in many different forms.”
~Donna Wawzonek, "Deanna Musgrave: Stirring Large Conversations with Grande Impressions," National Water Centre Blog